Monthly Archives: May 2016

Wanted: Journalists

I often get asked about the life and death of newspapers and journalism. Here is what I say:

  • This is the most exciting time in the history of journalism to be a journalist.
  • No matter how much the associated technology changes, journalism history demonstrates that platforms require content.
  • journalismThat content is produced by journalists.
  • In the second decade of the 21st century, anyone can be a publisher (Look: I am publishing!). However, not everyone is a journalist. That’s why teaching journalism — and not only to journalists —  is so important.
  • Journalism teaches you to write for life across multiple platforms.
  • Know your audience. Write and produce for your audience.
  • Good writing is rewriting: Reread, revise, rewrite, proofread. Then do it again. And again …

That has been my elevator speech since I started teaching in 1986, and I’m sticking with it!

Given that approach and philosophy, I was pleased to read the first article by new Washington Post media critic Margaret Sullivan, who has also been the ombudsman for the New York Times. In the opinion piece, she writes:

I’m especially drawn to the need for journalism that is transparent, honest, aggressive and deep, using all the new tools and with a great sense of openness on how to present the work to an ever-more-digital audience.

Well said. I look forward to Sullivan’s upcoming work.

And BTW, the picture is of Al Neuharth reading the first copy of USA Today off the presses in 1982. Imagine that: It was only 34 years ago that USA Today began. And it was wasn’t much later that the question I began with about journalism increased in its frequency.

So, what’s the fuss all about, anyway?

I haven’t seen the Broadway play “Hamilton,” and I don’t expect to see it anytime soon.

The cost of tickets to see Lin-Manuel Miranda‘s revolutionary musical on Broadway is prohibitive. And though the Kennedy Center here in Washington, D.C., plans to stage the touring company’s version of the play — no cast announced as yet — that won’t be  until June of 2018. In order to assure yourself of a chance for tickets to what will be a limited run, the Kennedy Center recommends buying season tickets for the 2016-17 season, then renewing for 2017-18. That in itself is an expensive alternative.

So, what is the fuss all about? Here’s a clip from the 2016 Grammy’s that well worth watching just to get a taste of why this show has been called remarkable and revolutionary by theater critics.